The team that takes René Jacobs, different from the magnificent colfer eoin Harmonia Mundi recordin

Home THE FONOFERNEMLANDTECA Amfortas, the correspondent MY SUGGESTIONS: music (opera colfer eoin composer) SINGERS (opera) TORINO BARCELONA BERLIN CITY DIRECTORY OF DISCO STAGE THEATRE BOOKS DVDTECA colfer eoin Raul's work in the music of Avison
A truly memorable night, this is what we have achieved this with the Palace 100 Die Zauberflöte in concert version at no time have missed the genius of a stage manager or a dramatic new reading or a spectacular and dramatic scenery. colfer eoin The only character Mozart has been pure and to do so it was necessary to have René Jacobs, the Akademie für Alte Musik Berlin and the RIAS Kammerchor an excellent group of soloists, nothing more.
René Jacobs would completely flip all versions so far known of Die Zauberflöte and from the energetic and vibrant opening teaches all the cards throughout the show version t'anirà. Interestingly sounding strong colfer eoin and very light times has created great times lyrical, humorous, dramatic tension and even mystical, it is clear that the quality of an orchestra without ductile, warm and virtuosic would not be possible.
If times are light and have not missed any recreation in the most elegiac as Pamina fabulous aria of Act in volumes rather powerful if I missed some point orchestral pianissimo, it is clear that acoustic Palace, the sound always so present, it makes things colfer eoin easier.
The quality of the orchestra of the Akademie für Alte Musik Berlin is impressive, both in sound rich, velvety and warm whenever the cool woods, and the virtuosity of the strings often exposed to extreme dynamics or metals, so feared when it comes to tools and historicist problematic never here. If it is true that the use and abuse almost sound effects (thunder and lightning) makes the drum more than one time has been too loud, but it's the price you have to pay to hear a dramatized version colfer eoin as had never before heard.
Jacobs does not have a particularly seductive gesture or spectacular, but it gets if it is. Pure seduction that grabs you and does not let all the opera, with a thousand and one details, apart from the personal contributions that never betrays Mozart and always colfer eoin benefit. There have been times orchestral especially memorable as the accompaniment of the second act trio "Soll ich dich" I have noticed that the care manager did shine in all the thousand and one details of orchestral dialogue between families, colfer eoin the instrumental soloists and never forgetting that there were some singers who could not ever be covered, and that, despite the overall strong volume, has never happened, except that the voice of Tamino (Topi Lehtipuu) has neither much projection or much volume.
Contributions to support musical dialogues with pianoforte accompaniment is a success and second Jacobs version does nothing more than follow the will of Mozart joined them, although he did not write, to strengthen feelings and emotions raised by the recitation (extracted from the playbill).
The RIAS Kammerchor approximately thirty members, and designed much better than eighty members of both choirs sang last week at the Auditorium Joan of Arc at the stake. The voice teacher who has taught project and issue voice masterclas should come to our house. Here hearts with this issue and not projected intensity
The sound is always compact, perfect balance, and the issue never shrill pitch spectacular. A whole heap of praise must add the wonderful expressiveness and sound beautiful colfer eoin in all the strings perfectly recognizable. A particularly moving moment was the famous choir of priests "O Isis und Osiris", but in each of their speeches shine and dazzle. What envy!
The Magic need a large and excellent colfer eoin group of singers, especially with two demanding roles, colfer eoin the Queen of the Night and Sarastro, this does not mean that everyone else is a cinch, but the requirement of extreme colfer eoin upper register of the Queen of the night (the second aria ago) or severe cavernous Sarastro (in the duet between Pamina and Sarastro And the finale, Sarastro must do the famous "doch, doch Geb" is the note more serious written by Mozart) need a sound that exceeds the singers simply incorrect.
The team that takes René Jacobs, different from the magnificent colfer eoin Harmonia Mundi recording, but at the identical records