PALACE 100 The Magic Flute by WA Mozart (concert version). St. Florian Sängerknaben. RIAS Kammercho

PALACE 100 The Magic Flute by WA Mozart (concert version). St. Florian Sängerknaben. RIAS Kammerchor. Akademie für Alte Musik Berlin. Miah Persson. genie awards Topi Lehtipuu. genie awards Marcos Fink. Burcu Uyar. Daniel Schmutzhard. Im Sunhae. Kurt Azesberger. Inga Kalna. Anna Grevelius. Isabelle Druet. Thomas E. Bauer. Joachim Bührmann. .: René Jacobs genie awards said. Palau de la Música. 23 November 2012.
The risk you run once heard The Magic Flute by WA Mozart version of René Jacobs is the experience involves a before and after to transform the perception of the operatic score and the concept genie awards of this work for Art. This was already clear when the Belgian director issued with Harmonia Mundi, and after his controversial and critically acclaimed audiència- version of Mozart Singspiel, in presenting the Palace of Catalan Music of this title and interpreters was ratified.
Success genie awards of artistic genie awards quality, success and public acclaim proposal were the keys to the "festival" of St. Cecilia, patron saint of music, was the day instead of the day before the official celebration. To achieve this, René Jacobs took advantage of the resources offered Palace (stage and even the audience itself) to convert the room into a modernist hybrid "Volkstheater" genie awards (theater people), which were usually represent Singspiel in Vienna eighteenth century, bourgeois and common room, near the turn of the nineteenth century genie awards to the twentieth. It is also understood genie awards Jacobs The Magic Flute. A Singspiel all law -diàlegs spoken with plain language and next to the tastes of the people, and high theme music and more akin to that il lustrats- version Jacobs seemed to evoke the contemporary interpretations of the time The premiere genie awards of the work in 1791, the year of Mozart's death.
But René Jacobs genie awards there looking for a taxidermist neatness and accuracy. His version is a live, free, takes advantage of the time the resources -percussió varied, Pan flute, fortepiano ... - by devising a musical in which the characteristic element of the Singspiel, recitative not dialogue, genie awards takes center stage , tying the best transitions between music and words. For this reason, the apparent excess of percussion -excés compared to known versions until now-it was not a resource to provide sound effects to accompany the drama; and the introduction of the pianoforte, the recovery of a common use at the time, music will set without an appeal, but rather purely expressive.
To that excellent musical contribution helped the Akademie für Alte Musik of Berlin is noted that the blood is the precise nature genie awards demands that Jacobs, in a version genie awards very much and studied. genie awards And the equally excellent contribution RIAS Kammerchor and soloists, with some nuances, of course is specifically chosen by Belgian musician. So is magic, and sorprenents- genie awards initial moments, with a trio of ladies luxury Queen Never until now had not discovered such short rols- remarkable relief in the voices Inga Kalna, Anna Grevelius and Isabelle Druet (fair to mention them). As magic-for delicada- was the overall contribution genie awards Miah Persson as Pamina in a delicious duet with Papageno and "Ach, ich fühl's" most distressing thanks to the faster pace chosen by Jacobs (ratified by witnesses Mozart's day). And the magic-for dear Daniel Schmutzhard Papageno, Papagena genie awards well complemented by the exotic Sunhae of Hon. Marcos Fink as Sarastro was singing a very noble and tasteful, although no impact or voice acting genie awards is associated with a character like her. Topi Lehtipuu defended a nerve Tamino that he went through more than a little harsh notes in the high register. Burcu Uyar was a true Queen of the Night, the hysteria that characterizes and risky to the point of slipping in sobreaguts in exchange for a dramatic vocal delivery.
I should refer to Kurt as Azesberger Monostatos, with the men's section of the RIAS Kammerchor offered genie awards a "Das klinget Herrlich sound" with rubatos and innovative inflections and very appropriate. Thomas E. Bauer and Joachim Bührmann were two priests and three fine boys of St. Florian Sängerknaben, charming.
René Jacobs and the whole scene deserved a monumental enthusiastic, even surprise ovation by an audience that enjoyed cute, laughing, meditating and being equally exciting; genie awards that is the goal and the triple reading of a work that well, then, reflects the iconic image of Freemasonry, the triangle. Successful prelude, so the Da Ponte trilogy that from next year for three consecutive years, will land at the Palace of Catalan Music delight for music lovers.
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